Fred@KilnQuest.com

       
Dishes & Bowls
 
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  On the face of it, making kiln-formed glass is easy. You get some glass, you get a kiln, you pile the glass together in the kiln, melt it, and then you have a piece of art. Big deal.

But glass is a very difficult - and expensive - medium to work in. It took me many years of diddling and dabbling to be able to do much of anything. And I still have a very long way to go in order to satisfy my own ambitions.

It might look easy. But that's like saying that if you take a pile of boards and a hammer, and then nail the boards together, you will get a house. It's easy to watch an expert do it, but it is damnably difficult to do it yourself.

The plates and dishes shown here represent several different techniques for working with the glass.

  Colored glass sheets are cut into strips and laid on edge, fused into a solid piece, reworked into the desired shape, slumped in a form to the desired shape, and then polished as needed.

Many small pieces are laid into a deep pile and then melted at a high temperature until the individual pieces all run together and fuse together into one solid piece. Believe it or not, I actually agonize over the placement of each little piece and it takes me hours just to set one of these babies up.

  Here, details such as flower petals are made one at a time using a torch. Then they are placed onto a plate blank and fused in. As a final step a clear "cap" is fused on top of the dish to provide depth and clarity.

 

This is a very dark and striking design. Gold leaf "floats" over a black background.
  Hand-pulled stringers are melted together into abstract, organic designs that I call "racing stripes." They are then melted into the face of the dish.
Most of these rectangular plates
are about 12" x 16"
     
 
 
     
   
 
A racing-stripe pattern
 

Detail of one of the stripes

     
 
More Dishes and Bowls on Page 2